Kris's Picks

Remastered from Original Tapes with Never-Before-Heard Bonus Studio Track "Hot Lava Man" from the Jerusalem Sessions. Recorded in 1996 and not released (in slightly different edit/mix) until 1999 under the title Jerusalem, the legend and lore behind Dopes

January 1977 saw the release of the first installment of what came to be known as David Bowie's Berlin trilogy. That album was the Bowie/Tony Visconti produced Low and it was followed later the same year by Heroes with the trilogy completed in 1979 by the

The second album of the absolute which are Amateur Hour!

"The songs talk for themselves, appealing to both the romantic indie-kid to the most elitist avantgardist. My mind ventures to referencing Nico’s The Marble Index and it’s lovechild with a Beat H

Strut present the first official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York, the album arrived at a time when Astatke had begun to master the delicate fusion of styles n

Here are the first ever official individual reissues of all five of the iconic Lansdowne recording sessions by the legendary UK jazz combo, the Don Rendell-Ian Carr Quintet. The five albums; 1965's Shades Of Blues, 1966's Dusk Fire, 1968's Phase III, 1969

Arriving on the Japanese music scene during the Beatles-inspired cover band boom of the late ’60s, Jacks instantly distinguished themselves from their fluff-peddling, copycat peers with stripped-down, original compositions, nihilistic lyrics and raw perfo

*2022 repress*Part of only a small and very much underground music scene in his hometown of Venice, Gigi Masin self released two modestly pressed LP's 'Wind' (1986) and 'Wind Collector' (1991) and appeared along side Charles Hayward for the Sub Rosa compi

"It has been a while since the release Myriam's acclaimed 2014 debut album, Not So Deep as a Well (FTR 146-4LP). The intervening years have brought a smattering of live performances, a bouquet of children, Trump's Pandemic, and much more . . . Different c

Speed, Glue & Shinki was a Japanese psychedelic rock power trio formed in 1970 by guitarist Shinki Chen and record producer Ikuzo Orita. Orita had previously produced an album featuring Chen; who was considered the Japanese equivalent of Jimi Hendrix. On

Roxy Music's self-titled 1972 debut, one of two with Brian Eno still in the fold, exemplified the band's penchant for glamour, both in the lyrics and with the album cover of model Kari-Ann Muller, kick-starting a tradition of iconic album covers featuring

For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by

Justifiably one of the greatest ambient albums of all time. It hasn't aged one bit since 1984. Essential.

A longstanding leader in contemporary electronic music, composer and multi-instrumentalist Steve Roach (born 1955 in La Mesa, California) drew on

The album is a collaboration between Brazilian artists Lula Côrtes and Zé Ramalho, a wonderfully off-kilter record full of fantastic hooky and strange tunes that range from full-on freakouts to quiet pastoral numbers displaying the entire range of 1970s h

Few bands match the pastoral beauty and majesty of Harmonia, the short-lived German band that existed from 1973 to 1976. The krautrock supergroup, brought together Dieter Moebius and Hans-Joachim Roedelius of Cluster, and Michael Rother of NEU!, who were

Carla dal Forno announces her second full-length album, Look Up Sharp, on her own Kallista records. Dal Forno beckons a bold new era in her peerless output pushing her dub-damaged DIY dispatches to the limits of flawless dream-pop. In a transformative mov

350gsm sleeve with selected UV high gloss varnish. Liner notes by Midori Takada, Satoshi Ashikawa, and Gareth Quinn Redmond. WRWTFWW Records announce the reissue of Satoshi Ashikawa's Still Way (Wave Notation 2). Initially released in 1982 as part of the

Available both as a regular 33rpm LP or as an audiophile double 45rpm. "Arguably the most quietly influential of all his works," according to the BBC, this conceptual 1976 Brian Eno record was intended as a soundtrack for imaginary films, with excerpts la