Kris's Picks

Robert Fripp & Brian Eno's timeless 1973 electronic music classic No Pussyfooting on vinyl for the first time in nearly 30 years. The album's return to the 12" format is cut from masters approved by the artists, manufactured on 200g super-heavyweight viny

1974's Taking Tiger Mountain (By Strategy) is a loose concept album with topics ranging from espionage to the Chinese Communist revolution. To help guide production of the album, Brian Eno and the album's cover artist Peter Schmidt developed the highly in

Available both as a regular 33rpm LP or as an audiophile double 45rpm. "Arguably the most quietly influential of all his works," according to the BBC, this conceptual 1976 Brian Eno record was intended as a soundtrack for imaginary films, with excerpts la

From its release in 1975 to today, Another Green World has been heaped with accolades. At the time, Village Voice described it as "the aural equivalent of a park on the moon" and Rolling Stone called it "a major triumph, an important record - and also a b

One of the most iconic figures in the Japanese alternative rock scene ever! Originally released in 1973, this was Magical Power Maco's highly visionary debut album. An eccentric mix of psyche, folk, kraut elements wisely filtered with Oriental sensibility

The Numero Group guide to private issue new age. Featuring Laraaji, Iasos, Joanna Brouk, Don Slepian, Peter Davison, Master Wilburn Burchette, Jordan De La Sierra, David Casper, Robert Slap, and 9 other pioneers of the Perrier underground. Adorned with Ma

After many years drifting in and out of each-other’s orbit, ‘Jazz Plates’ finds Ulla and Perila making music in the same room for the first time, exhaling a double album’s worth of gorgeously evocative mood music, gently crackling with a dream-textured ha

January 1977 saw the release of the first installment of what came to be known as David Bowie's Berlin trilogy. That album was the Bowie/Tony Visconti produced Low and it was followed later the same year by Heroes with the trilogy completed in 1979 by the

The second album of the absolute which are Amateur Hour!

"The songs talk for themselves, appealing to both the romantic indie-kid to the most elitist avantgardist. My mind ventures to referencing Nico’s The Marble Index and it’s lovechild with a Beat H

"It has been a while since the release Myriam's acclaimed 2014 debut album, Not So Deep as a Well (FTR 146-4LP). The intervening years have brought a smattering of live performances, a bouquet of children, Trump's Pandemic, and much more . . . Different c

In 2017 Jeremiah Chiu & Marta Sofia Honer traveled together to the Åland Islands (an archipelago that is host to around 6,500 islands) in the Baltic Sea between Sweden and Finland. They headed to the islands with the intention of helping two friends (moth

Back in stock on yellow vinyl! “Sound created the universe. It wasn’t a word. Sound created atoms; sound and light are the original manifesting principles for worlds… A musician sources that primeval, eternal sound, and it comes out as music.” – Constance

What were the clouds like when Huerco S was young? The Kansas-raised, New York-based producer’s absorbing ambient album For Those of You Who Have Never (And Also Those Who Have) goes some way to answering The Orb’s fluffy little proposition… Brian Leeds a

Tak:Til/Glitterbeat present the first ever reissue and remastering of Jon Hassell and Farafina's prescient, "Fourth World" masterwork, Flash of the Spirit, originally released in 1988. Propulsive Burkinese rhythms meet revelatory, ambient soundscapes. Co-

Available both as a regular 33rpm LP or as an audiophile double 45rpm. On 1982's Ambient 4 (On Land) – the final edition in Brian Eno's ambient series – his palate shifted from electro-mechanical and acoustic instruments towards "non-instruments" like pie

A collection of material recorded between 1969 and 1972, the period just after Bitches Brew, Big Fun was not issued until 1974. By then, Davis had moved on in other directions, so it became a much-neglected album. The compositions are too scattered to mai

The hybrid of glam, prog and art rock on Brian Eno's 1974 debut Here Come The Warm Jets continued in a vein similar to his previous albums with Roxy Music, but further upped the experimental ante. In developing the album's words and music, Eno used unusua