Kris's Picks

A spectacular archival package of primitive drone and minimalist rock/trance/psych from the Swedish underground, believe the hype as follows; one of the most memorable audio documents ever. For a brief period during 1967-68, Pärson Sound was a frontrunner

January 1977 saw the release of the first installment of what came to be known as David Bowie's Berlin trilogy. That album was the Bowie/Tony Visconti produced Low and it was followed later the same year by Heroes with the trilogy completed in 1979 by the

The second album of the absolute which are Amateur Hour!

"The songs talk for themselves, appealing to both the romantic indie-kid to the most elitist avantgardist. My mind ventures to referencing Nico’s The Marble Index and it’s lovechild with a Beat H

Strut present the first official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York, the album arrived at a time when Astatke had begun to master the delicate fusion of styles n

Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz. Harmonically rich and heavy with overtones, Sanders' sound can be as raw and abrasive as it is possible for a saxophonist to produce. Yet, Sanders is highly regarded to

*2022 repress*Part of only a small and very much underground music scene in his hometown of Venice, Gigi Masin self released two modestly pressed LP's 'Wind' (1986) and 'Wind Collector' (1991) and appeared along side Charles Hayward for the Sub Rosa compi

HIGHEST RECOMMENDATION!
The respected Japanese jazz drummer Akira Ishikawa was not messing around when he recorded the 'Uganda (Dawn of Rock)' album with his band the Count Buffaloes. For this offering, originally released in 1972 on Toshiba Records, Aki

“The fifth studio album & last euphoric mind-trip to Kikagaku Moyo's imagined island.
Best-suited for counting stars, looking at the ocean, and dancing in one’s daydream.”

In many ways ‘Kumoyo Island’ represents the culmination of a journey for Kikaga

Roxy Music's self-titled 1972 debut, one of two with Brian Eno still in the fold, exemplified the band's penchant for glamour, both in the lyrics and with the album cover of model Kari-Ann Muller, kick-starting a tradition of iconic album covers featuring

Mute presents a colored vinyl LP reissue of Can's Soundtracks, a compilation of songs the band had composed for different movies which was released in 1970 before they started work on their second album. This record said goodbye to the group's original vo

For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by

Back in stock on yellow vinyl! “Sound created the universe. It wasn’t a word. Sound created atoms; sound and light are the original manifesting principles for worlds… A musician sources that primeval, eternal sound, and it comes out as music.” – Constance

The album is a collaboration between Brazilian artists Lula Côrtes and Zé Ramalho, a wonderfully off-kilter record full of fantastic hooky and strange tunes that range from full-on freakouts to quiet pastoral numbers displaying the entire range of 1970s h

Currently out of print on CD, Michael Yonkers’ Grimwood finally receives its long-overdue vinyl re-release on Nero’s Neptune. Yonkers’ first 4 LPS were released simultaneously in 1973, but it is Grimwood, Michael’s first, which regular commands the bigges

Robert Fripp & Brian Eno's timeless 1973 electronic music classic No Pussyfooting on vinyl for the first time in nearly 30 years. The album's return to the 12" format is cut from masters approved by the artists, manufactured on 200g super-heavyweight viny

Shleep, originally released in 1997, features long-term collaborators and friends such as Brian Eno, Phil Manzanera, Annie Whitehead, Evan Parker and newer accomplices such as Paul Weller. It is as exuberating and immediate a record as Wyatt has ever reco

Lovely Music present a reissue of Robert Ashley's Automatic Writing, originally released as an LP by Lovely Music in 1979. Over the course of Robert Ashley's career his preoccupation with language and the voice took many forms. He became known in his libr

Available both as a regular 33rpm LP or as an audiophile double 45rpm. "Arguably the most quietly influential of all his works," according to the BBC, this conceptual 1976 Brian Eno record was intended as a soundtrack for imaginary films, with excerpts la

A collection of material recorded between 1969 and 1972, the period just after Bitches Brew, Big Fun was not issued until 1974. By then, Davis had moved on in other directions, so it became a much-neglected album. The compositions are too scattered to mai