Kris's Picks

In 1980, Les Rallizes Dénudés welcomed guitarist Fujio Yamaguchi (The Dynamites, Murahachibu, Teardrops) to its fold. The unconventional pairing of inimitable Rallizes frontman Mizutani with Fujio’s unrestrained, bluesier styles ushered in a new era for t

Remastered from Original Tapes with Never-Before-Heard Bonus Studio Track "Hot Lava Man" from the Jerusalem Sessions. Recorded in 1996 and not released (in slightly different edit/mix) until 1999 under the title Jerusalem, the legend and lore behind Dopes

Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz. Harmonically rich and heavy with overtones, Sanders' sound can be as raw and abrasive as it is possible for a saxophonist to produce. Yet, Sanders is highly regarded to

Released in 1971, this is the first album produced by a Japanese artist with the overseas market in
mind. It was released simultaneously in the United States, Canada, and Japan, and in particular, the single “SATORI PART 2” reached No. 8 in Canada. There

Arriving on the Japanese music scene during the Beatles-inspired cover band boom of the late ’60s, Jacks instantly distinguished themselves from their fluff-peddling, copycat peers with stripped-down, original compositions, nihilistic lyrics and raw perfo

We Are Rewind offers you its audio cassette players with a modern design. The reinvented cassette player comes in four colors: Blue, Grey, Orange and the limited edition Black & Yellow.


But each one has the same advantages. Our new player retains a

HIGHEST RECOMMENDATION!
The respected Japanese jazz drummer Akira Ishikawa was not messing around when he recorded the 'Uganda (Dawn of Rock)' album with his band the Count Buffaloes. For this offering, originally released in 1972 on Toshiba Records, Aki

Forming in 1994, Blonde Redhead were thrown together following a chance meeting in New York between Japanese siren Kazu Makino and Milanese twin brothers, Amedeo and Simone Pace. Taking their name from a song by fellow New York no wave artists DNA, locati

Bureau B present a reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but

"It has been a while since the release Myriam's acclaimed 2014 debut album, Not So Deep as a Well (FTR 146-4LP). The intervening years have brought a smattering of live performances, a bouquet of children, Trump's Pandemic, and much more . . . Different c

Masayuki Takayanagi was one of the truly iconoclastic musicians to emerge from Japan, or anywhere else, in the 20th Century. Though he won acclaim in the 1950s and '60s as a master of the electric guitar and jazz improvisation, Takayanagi was a restless s

Franco Battiato is often heralded as Italy’s answer to Brian Eno. A quizzical composer / lyricist, Battiato turned pop music upside down in the early ‘70s with three classic LPs—Fetus, Pollution and Sulle Corde Di Aries—that formed a confluence of avant-f

For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by

Robert Fripp & Brian Eno's timeless 1973 electronic music classic No Pussyfooting on vinyl for the first time in nearly 30 years. The album's return to the 12" format is cut from masters approved by the artists, manufactured on 200g super-heavyweight viny

Shleep, originally released in 1997, features long-term collaborators and friends such as Brian Eno, Phil Manzanera, Annie Whitehead, Evan Parker and newer accomplices such as Paul Weller. It is as exuberating and immediate a record as Wyatt has ever reco

Tak:Til/Glitterbeat present the first ever reissue and remastering of Jon Hassell and Farafina's prescient, "Fourth World" masterwork, Flash of the Spirit, originally released in 1988. Propulsive Burkinese rhythms meet revelatory, ambient soundscapes. Co-

Carla dal Forno announces her second full-length album, Look Up Sharp, on her own Kallista records. Dal Forno beckons a bold new era in her peerless output pushing her dub-damaged DIY dispatches to the limits of flawless dream-pop. In a transformative mov

The hybrid of glam, prog and art rock on Brian Eno's 1974 debut Here Come The Warm Jets continued in a vein similar to his previous albums with Roxy Music, but further upped the experimental ante. In developing the album's words and music, Eno used unusua