Touch & Go

Songs About Fucking, the last Big Black studio album, ups the aggression ante on almost every front. The music is more bombastic, the production is harsher, and the lyrics are even more confrontational, delivered even more stridently than before. Rather t

In August of 1990, Slint recorded their second album Spiderland at River North Recorders in Chicago. Over the course of only 4 days, the four young musicians created what would come to be regarded as one of the most important and influential records of th

The third release from Kazu, Simone and Amedeo. Their sound is as eclectic as their line up. Two guitars, drums and vocals. Simple in form but complex in execution.

To celebrate the 20th anniversary of Blonde Redhead's classic album, Melody of Certain Damaged Lemons, Touch and Go present a deluxe vinyl edition pressed on colored 180-gram vinyl courtesy of RTI and packaged in a full-color gatefold jacket with revised

When director Travis Stevens called about composing music for his new horror film, Steve Albini (Shellac) found himself with a new creative challenge. After meeting with Stevens and Greg Newman from Queensbury Pictures, Steve signed on and recruited Tim M

Forming in 1994, Blonde Redhead were thrown together following a chance meeting in New York between Japanese siren Kazu Makino and Milanese twin brothers, Amedeo and Simone Pace. Taking their name from a song by fellow New York no wave artists DNA, locati

Originally released in 1985, and now remastered by Steve Albini and Bob Weston at Chicago Mastering, Big Black's first full-length album Atomizer will be re-released in September 2015. To save you having to do the math in your head, yes, that makes this a

Originally released in 1987, this 4-song 12" EP is the fourth Big Black vinyl title to be remastered by Steve Albini and Bob Weston at Chicago Mastering - following the previously released remasters of Atomizer, Bulldozer, and Racer-X. Each remastered vin

Shellac: 1000 Hurts LP

Shellac record number 16, The End of Radio, is comprised of two previously unreleased BBC Radio Peel Sessions. The 1994 session was recorded at BBC Maida Vale Studio 3 and originally aired on John Peel's BBC Radio One show in July of 1994. The four songs