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Primarily known as a big band leader and arranger, on this landmark 1961 Creed Taylor recorded set Oliver Nelson provides and arranges all of the material while holding down alto and tenor saxophone duties to boot. He also assembled one of jazz's most pot
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Nelson, Oliver: The Blues And Abstract Truth (Verve Acoustic Sounds) LP
C$44.99
In the spring of 1961 the US. Government was instrumental in changing the face of modern jazz. It was when guitarist Charlie Byrd was sent on a diplomatic tour of South America; the US State Department's idea that exporting culture was a positive politica
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Getz, Stan & Charlie Byrd: Jazz Samba (Verve Acoustic Sounds) LP
C$44.99
Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz. Harmonically rich and heavy with overtones, Sanders' sound can be as raw and abrasive as it is possible for a saxophonist to produce. Yet, Sanders is highly regarded to
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Sanders, Pharoah: Karma (Verve Acoustic Sounds) LP
C$54.99
Some music is so finely crafted that the genre in which it is conceived becomes irrelevant to the music itself. Such was the case with much of the work of saxophonist John Coltrane – an artist commonly regarded as a jazz composer, but one whose musical vi
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Coltrane, John: A Love Supreme (Verve Acoustic Sounds) LP
C$44.99
If one album evokes the style, the ethos, and the vibe of Creed Taylor's Impulse! label it is The Gil Evans Orchestra's 1961 masterpiece Out of the Cool. The 48 year old pianist, arranger and bandleader had done much to establish his reputation working wi
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Evans, Gil Orchestra: Out Of The Cool (Verve Acoustic Sounds) LP
C$44.99
Originally released on Verve Records in 1964, Getz/Gilberto, produced by label head Creed Taylor, was an international sensation, altering the direction of jazz, pop, and the samba itself. It became the focus of a huge bossa nova craze, bringing together
Getz, Stan & Joao Gilberto: Getz/Gilberto (Verve Acoustic Sounds) LP
C$44.99
Louis Armstrong Meets Oscar Peterson is a brilliant undertaking in which Verve's legendary "house pianist" encountered one of jazz's most revered giants. And this all-analog Verve reissue – mastered from the original analog tapes by Ryan K. Smith at Sterl
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Armstrong, Louis & Oscar Peterson: Louis Armstrong Meets Oscar Peterson (Verve Acoustic Sounds) LP
C$44.99
Issued on Verve in 1964, We Get Requests is a sterling example of the Oscar Peterson Trio's remarkable two-sided appeal. Technically, the album is filled with above average melodic development and a solid rhythmic blend, while the repertoire is as crowd-p
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Peterson, Oscar Trio: We Get Requests (Acoustic Sounds Series) LP
C$44.99
In contrast to her classic Songbook albums for Verve, this 1961 date captures the essence of Ella Fitzgerald as most people got to see her live - with a swinging quartet. The program is made up mostly of repertoire from the Swing and early Bebop periods w
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Fitzgerald, Ella: Clap Hands, Here Comes Charlie ! (Verve Acoustic Sounds) LP
C$54.99
In 1964, Nina Simone embarked on new stage of her career. Her rejection by the Philadelphia-based Curtis Institute Of Music; time spent as a pianist in an Atlantic City nightclub; her jazz, gospel, pop and classical influences – all these had fused to mak
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Simone, Nina: I Put A Spell On You (Verve Acoustic Sounds) LP
C$44.99
Nina Simone's Wild Is The Wind, from March 1966, and its breathlessly engaging title track, were compiled from several recordings that were left over from sessions for previous albums for Phillips. In 2020 the album was ranked No. 212 on Rolling Stone's 5
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Simone, Nina: Wild Is The Wind (Verve Acoustic Sounds) LP
C$54.99
Soulville is quintessential Ben Webster: intimate, tender, endlessly expressive. Webster was internationally recognized as one of jazz's elder statesman when he recorded this album in 1957, but the youthful fire that had marked his playing with the Duke E
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Webster, Ben Quintet: Soulville (Verve Acoustic Sounds) LP
C$54.99
Stan Getz and Bill Evans are about as close as musicians can get in terms of artistry, musical philosophy and technique. These sessions, recorded in 1963 with drummer Elvin Jones and bassists Ron Carter (Side A) and Richard Davis (Side B), perfectly blend
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Getz, Stan & Bill Evans: Previously Unreleased Recordings (Verve Acoustic Sounds) LP
C$54.99
The old adage that opposites attract couldn't be more apt in the case of Ella Fitzgerald and Louis Armstrong, whose album collaborations for Verve Records, in the late 50s, resulted in some of jazz's finest and most memorable duets. Texturally, their voic
Fitzgerald, Ella & Louis Armstrong: Ella And Louis (Verve Acoustic Sounds) LP
C$44.99
This is Bill Evans' first trio date under his own name for Verve, and the deep communication he maintains throughout with Gary Peacock and Paul Motian, two brilliant rhythm players, is sublime. All of the songs are standards of one for or another, but Eva
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Evans, Bill: Trio '64 (Verve Acoustic Sounds) LP
C$44.99
Many saxophonists have come close, but none have quite equaled the fullness of tone, enveloping spirit, or sense of uncompromised soul that jazz giants Coleman Hawkins and Ben Webster produced on their instruments. This 1957 Verve date with Norman Granz b
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Hawkins, Coleman & Ben Webster: Coleman Hawkins Encounters Ben Webster (Verve Acoustic Sounds) LP
C$54.99
Peggy Lee was 32 years old when she walked into the Decca label's recording studios in midtown New York to lay down the tracks for what became the defining Black Coffee. Remarkably, it was the singer's first album, even though she had a swathe of hit sing
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Lee, Peggy: Black Coffee (Verve Acoustic Sounds) LP
C$44.99
One of Ella Fitzgerald's finest recordings, 1960's Let No Man Write My Epitaph - which was a film of the same name that The First Lady of Song appeared in - finds the songstress produced by the great Norman Granz and accompanied by pianist Paul Smith on a
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Fitzgerald, Ella: Let No Man Write My Epitaph (Verve Acoustic Sounds) LP
C$54.99
From the opening bars of the title track of this beautiful album, Oscar Peterson lays down the kind of piano playing for which he had been famous for well over a decade; the deftness of touch, the almost slight of hand, as he beguiles the listener into ma
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Peterson, Oscar Trio: Night Train (Verve Acoustic Sounds) LP
C$54.99
A 1962 set from the Roy Haynes Quartet which, at the time, consisted of the drummer, Henry Grimes on bass, Tommy Flanagan on piano and Roland Kirk on saxes, manzello, stritch and flutes. The album is a delightful mix of technique in arrangement and perfor
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Haynes, Roy Quartet: Out Of The Afternoon (Verve Acoustic Sounds) LP
C$54.99
This important historic jazz record pairs guitar virtuoso Wes Montgomery with Miles Davis' rhythm section – featuring Paul Chambers on bass, Jimmy Cobb on drums and Wynton Kelly on piano. This is timeless music that has inspired innumerable jazz guitarist
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Kelly, Wynton Trio & Wes Montgomery: Smokin' At The Half Note (Verve Acoustic Sounds) LP
C$44.99
In 1964, Nina Simone embarked on new stage of her career. Her rejection by the Philadelphia-based Curtis Institute Of Music; time spent as a pianist in an Atlantic City nightclub; her jazz, gospel, pop and classical influences – all these had fused to mak
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Simone, Nina: Pastel Blues (Verve Acoustic Sounds Series) LP
C$44.99
The striking New York, N.Y. was a high point for influential jazz composer and arranger George Russell, an early proponent of "modal jazz," which featured fewer chord changes and encouraged soloists to improvise on the melody not on the harmony. For this
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Russell, George: New York, N.Y. (Acoustic Sounds Series/1959) LP
C$39.99
When this album was made, Julian "Cannonball" Adderley (the leader of this date) and John Coltrane were members of the Miles Davis Sextet. With Miles, the two saxophonists recorded the incomparable masterpiece Kind of Blue - which was made around the same
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Adderley, Cannonball: In Chicago (Acoustic Sounds) LP
C$54.99
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