Ian's Picks

Emerging like a missile from some surreptitious silo in southwestern Ohio, The Serfs are a deliberately nebulous and incidentally industrialist gang of dance-floor hymners—perturbed and tranced-out troubadours whose sound and musical ideology seems to be

Transferred from Analog Tapes and Remastered on 180g Vinyl LP as Part of the Verve By Request Series. Recorded in the basement studio of the Coltrane home in 1970, Alice Coltrane's fourth album is a masterpiece of spiritual jazz. The title track is an ode

Finally available again!!! It was a musical cocktail born in a marketing meeting: Two parts easy listening, one part jazz, a healthy dollop of conga drums, a sprinkling of bird calls, and a pinch of textless choir. Serve garnished with an alluring female

Available again! Mesh-Key reissue of a true desert island disc, criminally out of print for nearly 40 years. They've spared no expense bringing this classic back to life in a format befitting its brilliance, carefully orchestrating transfers of the origin

Bourbonese Qualk's third album "The Spike" was recorded during the period 1984-1985 and published by the Berlin based Dossier/Atonal label while Bourbonese Qualk were involved in organising the Berlin Atonal festival. Parts of Side 2 of the album is a rec

The passionate and unclassifiable work of Calgary-based improviser Jairus Sharif embraces each of these definitions of freedom and others, albeit strictly on its own personal and idiosyncratic terms.

Since early 2020, the 34-year-old autodidact has bee

The self named LP marked the fifth album and end of the first incarnation of Bourbonese Qualk. Julian Gilbert left the group after ‘The Spike'(1986) to concentrate on writing and theatre, leaving Steven Tanza and Simon Crab who parted ways after touring i

Strut present the first official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York, the album arrived at a time when Astatke had begun to master the delicate fusion of styles n

Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, cr

Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis finally compiles Smack’s full

It's by some strange inversion that since his untimely death in 1999 Bryn Jones' Muslimgauze project has become evermore enigmatic as his publicly available recordings have become evermore vast. The Mancunian artist's sudden passing at the age of 37 prema

Way out there. From up in the attic, in the village of Cincinnati - the third album from the Drin has arrived to commence 2023. Cold rhythms reverberate through the layers of tape spliced together by Dylan McCartney and his impressive cadre of musical com

Dark Entries is honored to finally present the first ever official vinyl reissue of Space Museum by SOLID SPACE. Solid Space was the British duo of DAN GOLDSTEIN (keyboards, vocals) and MATTHEW "MAF" VOSBURGH (guitar, bass, keyboards, vocals) formed in 1

Flaming Tunes’ sole release is perhaps the finest elegy to the ‘80s home recording ethos that you’ve never heard. Originally released in 1985 on cassette (with individually hand-colored covers), this self-titled album grew out of the collaboration between

Carla dal Forno presents her debut solo album You Know What It's Like, following time in cult Melbourne group Mole House and an earlier association with Blackest Ever Black as a member of F ingers and Tarcar. Her voice is an extraordinary instrument: both

Originally released in 1985, and now remastered by Steve Albini and Bob Weston at Chicago Mastering, Big Black's first full-length album Atomizer will be re-released in September 2015. To save you having to do the math in your head, yes, that makes this a

Chrome were an experimental rock band formed in San Francisco in 1975. After their first album, the group’s mastermind, Damon Edge, met guitar player Helios Creed and the pair began developing the group’s signature sound collage / acid punk sound. On Half

A special deluxe reissue of the debut album - The Visitation - by art rock pioneers Chrome painstakingly restored to its original 1976 glory. Featuring Mike Low (vocals, guitar, bass, synthesizer), John Lambdin (guitar, synthesizer, bass, mandolin, string