Collection

Wide Awake! is New York’s Parquet Courts’ fifth record since their formation eight years ago. The album is filled with Parquet Courts’ traditional punk rock passion, dynamic rhythmic propulsion and exceptional songwriting yet explores new ground and infl

Aguirre Records present a reissue of Taj Mahal Travellers' August 1974, originally released in 1975. A monumental work by the Japanese experimental music ensemble. In April 1972 a group of Japanese musicians set off from Rotterdam in a Volkswagen van. As

Laraaji's glistening 1980 debut Ambient 3: Day of Radiance has from the beginning been considered an outlier. Though widely celebrated at that the time of its original release (as the third installment in Brian Eno's emerging ambient music series), the al

Mutant troubadour Laurent Gérard, aka Èlg, makes an ideal addition to the misfits at Editions Gravats with Vu Du Dôme, a patently strange record resembling a sort of cryptic opera or the dramaturgy of a waking dream. Leading listeners up the garden path a

The King is a remarkably absorbing collection of abstract torch songs by Cee Haines, aka Chaines, a Manchester-based artist in possession of a starkly singular sonic language, who has collaborated extensively with the London Contemporary Orchestra and had

Following up on the material reissued via Music From Memory, here is a reissue of Roberto Musci and Giovanni Venosta's sought after ambient masterpiece from 1987. The album realises sound from electric, acoustic and documentary source, taking ethnic field

These are the same high-quality inner sleeves Mofi uses for their vinyl releases. They are imported, three-ply, anti-static, premium sleeves (similar to rice paper) and work with both LPs and laser discs. Back construction consists of a paper layer sandwi

The Arcade Fire brought a fresh theatricality, intensity, insanity, and a penchant for amazing hooks to their debut full length release, Funeral. Channeling elements of Neutral Milk Hotel, Broken Social Scene, and Roxy Music's first two albums, it's unlik

The hybrid of glam, prog and art rock on Brian Eno's 1974 debut Here Come The Warm Jets continued in a vein similar to his previous albums with Roxy Music, but further upped the experimental ante. In developing the album's words and music, Eno used unusua