ECM

A new ECM studio album and a program of new music from Terje Rypdal is cause for celebration. On Conspiracy the great Norwegian guitarist seems to reconnect with the wild inspiration that fueled such early masterpieces as Whenever I Seem To Be Far Away, O

1972 landmark ECM debut from famed jazz pianist/composer/bandleader Keith Jarrett finds the influential artist offering up a new improvisational language with eight meditative solo piano pieces, all originals, recorded in Oslo, Norway with producer Manfre

"What is this music?" Fundamentally, it's an exploration of what happens when an improvisatory instrumental voice (saxophone) is placed into the world of early vocal music, which has elements of both improvisation and formal structure. In reality, it's an

There is a lot of history concentrated in Jack DeJohnette's adventurous new trio. 50 years ago, as a guest with John Coltrane's group, DeJohnette played with the fathers of Ravi Coltrane and Matthew Garrison, and the program of In Movement opens with Colt

Charismatic trumpeter Avishai Cohen launched his exuberant, home-grown band Big Vicious six years ago, after relocating from the US to his native Israel, rounding up players to shape the music from the ground up, and co-authoring much of its newest materi

Wolfgang Muthspiel, whom The New Yorker has called "a shining light" among today's jazz guitarists, returns to the trio format with Angular Blues, his fourth ECM album as a leader, following two acclaimed quintet releases and his trio debut. Like Driftwoo

Revisited and remastered, with additional takes, texts and photos, here is the very first ECM session, recorded in November 1969, featuring the great American pianist Mal Waldron, whose resume included work with Coltrane, Mingus, Dolphy and Billie Holiday

In addition to his solo piano concerts and the American group he led that featured tenor saxophonist Dewey Redman, Keith Jarrett was also busy in the mid-'70s with his European band, a quartet comprised of Jan Garbarek on tenor and soprano, bassist Palle

A striking album of new music from pianist/composer Carla Bley, whose trio with Andy Sheppard and Steve Swallow is now in its 25th year. Individual associations among the players go back much further: bassist Swallow first recorded music by Carla in 1961.

Here Be Dragons is the ECM debut of New York based, Tel Aviv born saxophonist Oded Tzur, a strikingly original player and musical storyeller. Tzur's graceful and fluid tenor sax sound has been influenced by studies with bansuri master Hariprasad Chaurasia

The untitled ECM double-album debut of young Norwegian saxophonist, composer and improviser Mette Henriette Martedatter Rølvåg is an arrestingly original musical statement. ‘Jazz’ players and ‘classical’ players are drawn together in her ensembles, but th