Rivers, Sam: Contours (Tone Poet Series) LP

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On the staggering Contours, a 1967 Blue Note release, multi-instrumentalist Sam Rivers (tenor and alto sax/flute) leads a fine quintet featuring Herbie Hancock (piano), Ron Carter (bass), Freddie Hubbard (trumpet), and Joe Chambers (drums) through a set comprising four robust originals that wonderfully tow the line between the avant garde and traditional hard bop. Rivers' very personal style is key in the structure as well as in the execution of this session and reminds us of the crucial role he played in the mid-Sixties. Produced and hand-picked for release by Music Matters co-founder Joe Harley, mastered from the original master tapes by Kevin Gray at Cohearent Audio, pressed on 180g vinyl at RTI, and housed in a deluxe gatefold jacket, audiophile jazz vinyl doesn't get any better.

The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. The label brought Joe Harley (from Music Matters), aka the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels. Extreme attention to detail has been paid to getting these right in every conceivable way, from the deluxe gatefold jacket graphics and printing quality to superior mastering (all analog direct from the master tapes) by Kevin Gray to superb 180-gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version. 

"The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session."
—Joe Harley

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