Punk

Emerging from the distant light is the new double-LP from John Dwyer’s Thee Oh Sees—the first studio recordings to capture the muscular rhythm section of twin drummers Ryan Moutinho and Dan Rincon with ringer bassist Tim Hellman cracking spines.

The g

From the same misty mountaintop tape spool as August’s A Weird Exits, Thee Oh Sees bring the companion album An Odd Entrances. Delving more towards the contemplative than the face-skinning aspects of its predecessor, this sister album is a cosmic exercise

In the realms of heavy amplification and monstrous riffage, one crucial ingredient can make the difference between an outfit doggedly hammering away at their chosen art and another whose graft is alchemically transformed into something of compelling fury

In the realms of heavy amplification and monstrous riffage, one crucial ingredient can make the difference between an outfit doggedly hammering away at their chosen art and another whose graft is alchemically transformed into something of compelling fury

Replacements: Tim LP

Along with Prince and Hüsker Dü, The Replacements put Minneapolis on the rock map in the 1980s. Among America's greatest alternative acts of all-time, the 'Mats rose from chaotic noise-makers to polished craftsmen, leaving at least three unqualified maste

Originally released in 1987, this 4-song 12" EP is the fourth Big Black vinyl title to be remastered by Steve Albini and Bob Weston at Chicago Mastering - following the previously released remasters of Atomizer, Bulldozer, and Racer-X. Each remastered vin

Recorded at Long View Farm, Worcester, Massachusetts. Some people just don't 'get' Bad Brains. To be fair, their early recordings can be intimidating, and it is only when you familiarize yourself with the musical dialectics of tracks such as 'Pay To Cum'

Originally released in 1981 ‘Signals, Calls and Marches’ is an explosive and hard hitting EP with post-punk, hard core and leftfield sensibilities. The accomplished debut offers up instant classics, ‘That’s When I Reach For My Revolver’ and ‘Academy Fight

Originally released in 1981 ‘Signals, Calls and Marches’ is an explosive and hard hitting EP with post-punk, hard core and leftfield sensibilities. The accomplished debut offers up instant classics, ‘That’s When I Reach For My Revolver’ and ‘Academy Fight

Authorized reissue of the 2nd Wipers album, originally issued in 1981. "Simply obliterating any conception of the Wipers as a mere punk band, Greg Sage released this follow-up to Is This Real? in 1981 -- a sophisticated, overwhelming response to the evil

"The bleak, hard-driven third LP by the Wipers (originally released in 1983) offers Greg Sage at his most chased and breathless, lashing out with sharp staccato notes as if melody were his only defense. While their debut LP provided the blueprint for grun

"Wipers' hard to find and highly sought after 4th studio record. Originally released in 1986 on Restless Records. Featuring nine original tracks w/ locked groove. An underrated classic! Limited pressing on blue/gray vinyl."

Following the short-lived Truth Club with Trefor Goronwy (who later went on to work with This Heat and The Camberwell Now), Fote was formed in 1981 with the trio of Robert Haigh, Deborah Harding, and Trevor Reidy. Releasing two 12" EPs along with one trac

"In the fertile terrain of New Zealand's 1980s post-punk scene, few figures loom as large as the Jefferies brothers. Graeme Jefferies and Peter Jefferies -- the primary forces behind This Kind Of Punishment -- wrote some of the best music to come out on F