XL

In Luca Guadagnino's 2018 remake of Dario Argento's cult classic 1977 horror film Suspiria a darkness swirls at the center of a world-renowned dance company, one that will engulf the troupe's artistic director (Tilda Swinton), an ambitious young dancer (D

The Smile’s new album Wall Of Eyes, will be released on January 26, 2024 on XL Recordings. The new album, was recorded between Oxford and Abbey Road Studios, and is produced and mixed Sam Petts-Davies. It features string arrangements by the London Contemp

Originally released in September 2014 on BitTorrent (downloaded over 1 million times during its first week), Thom Yorke's Nigel Goodrich-produced sophomore solo endeavor Tomorrow's Modern Boxes is being reissued on vinyl in 2017 courtesy of XL Recordings.

Radiohead figurehead Thom Yorke follows up his 2014 album Tomorrow's Modern Boxes and 2018 score to Suspiria with his third full-length solo effort Anima. Produced by longtime collaborator Nigel Godrich, several of the album's songs were debuted live duri

In February 2010, the late, legendary musician, poet and author Gil Scott-Heron released his thirteenth, and last, studio album. First conceptualized in 2005, and ultimately produced by XL Recordings head Richard Russell during New York recording sessions

“Odd Future Wolf Gang Kill Them All are a 10-deep hip-hop collective. But don’t dare call them the new Wu-Tang Clan. They insist they’re different. The collective features rappers, producers, visual artists, skate kids, contrarians, outcasts, amoral teena

Known for their explorative and restless sound, taking influence from old style rock like The Beatles, The Rolling Stones, Neil Young and Pink Floyd as well as from electronica and hip hop, each of Radiohead's albums marks a cornerstone in their musical e

Modern Vampires of the City is the third album from New York's Vampire Weekend following 2008's Vampire Weekend and 2010's Contra. The album is a bustling world of voices and visions - from the death of Henry Hudson to the Orthodox girl falling in love at

Few albums were as eagerly anticipated as The Fat of the Land, the Prodigy’s long-awaited follow-up to Music for the Jilted Generation. The Fat of the Land was touted as the album that would bring electronica/techno to a wide American audience; and indeed

Thom Yorke composed the original score for Daniele Luchetti’s film Confidenza, an adaptation of the Italian drama based on Domenico Starnone’s novel of the same name, which premiered at the International Film Festival in Rotterdam and will be out in Itali

Toronto-born-and-raised singer, songwriter, producer, and multi-instrumentalist Charlotte Day Wilson announces her highly-anticipated sophomore album. "Cyan Blue" finds Wilson crafting a smoothly woven cyan tapestry of her eternal influences; thumping gos

On July 21, 2003, an 18-year-old Dizzee Rascal released his debut album "Boy In Da Corner" via XL Recordings. Little did he know that the 15-track album would go on to win the Mercury Prize, become the first-ever Platinum-selling UK Rap album, and lay the

Radiohead frontman Thom Yorke's debut solo album, 'The Eraser,' via XL Recordings. The set was produced and arranged by longtime Radiohead collaborator Nigel Godrich. 'Inevitably it is more beats and electronics, but it [is] songs,' Yorke says of the proj

Canadian ensemble BadBadNotGood made their name by crossing genre. This seamless movement between style hit hard when they took hip hop into jazz and vice versa. Their latest album – and first with XL recordings – demonstrates them going back to their ins

Known for their explorative and restless sound, taking influence from old style rock like The Beatles, The Rolling Stones, Neil Young and Pink Floyd as well as from electronica and hip hop, each of Radiohead's albums marks a cornerstone in their musical e

Friday Forever is the second album from multi-artist project Everything Is Recorded, helmed by producer artist Richard Russell. This follows the critically acclaimed and Mercury Music Prize nominated debut of 2018, Everything Is Recorded by Richard Russel