Self Release

Originally released in 2004 as a 7" and limited 12" on Test Pattern Records, this is a self-released edition of the 12" limited to 600 copies pressed from the original masters. Available on black vinyl, and comes with the full original 12x36 inch fold-out

LP recorded live at the Rivoli Club in June 2014, 6 days after the release of “Glass Boys”. This release gives you Fucked Up at their peak, bringing you as close as possible Fucked Up’s fabled live energy. Material from Glass Boys, Hidden World, David Com

It's been over 1143 days since Caroline Polachek's breakout solo album Pang was released. A word of mouth classic, cemented by star-making live turns.. to say we've been eager for it's sequel is something of an understatement.

Desire, I Want to Turn In

New album by Taylor Kirk, the Toronto based musician who has happily worked as a producer since the last Timber Timbre album in 2017.

Now with "Lovage" there is new music of his own, which proves that Kirk has not only refined his working methods, but

A hypnotic demonstration of improvisation, and an ode to the free-jazz and DIY cultures the two artists rose from, Cupo ultimately becomes an object of intuition that marks both a turning point and coming together of two of London’s most imaginative figur

Mac DeMarco's new instrumental collection Five Easy Hot Dogs was created while traveling across North America, with each song named after the city in which it was recorded. The tracklist is sequenced in the chronological order in which the songs were prod

Omnium Gatherum's sprawling 16 tracks of gonzoid prog jams, dizzying pop nuggets, rubber-legged hip-hop odysseys and passages of pure thrash-metal abandon offer plenty for King Gizzard & The Lizard Wizard fans and neophytes alike to chew on. Typically, Gi

Dang-Khoa Chau aka Đ.K. gives up a self-released treat, sidewinding into psychedelic realms of radiant gamelan and slow, humid bangers, highly recommended if yr into ’Forest of Evil' period Demdike, early Shackleton, DJ Python. A pivotal presence in the P

Keeping ahead of inflation, Omar-S maintains reliably premium levels on his now-regular series of long players, squaring up 14 bangers over 76 minutes that will leave no one in doubt of his raw genius (but may leave the cupboards bare for a week). His 8th

Recorded and mixed between 2018 and 2021 in Mill Creek, Parkallen, and Ritchie.

Stunning choral smoke from the ever wonderful Tape Loop Orchestra, here shedding the blissed drone energies of his best known material in favour of a more lucid expression of ideas constructed almost entirely from the human voice and bass pulses. If you w

Freewheeling six-headed freak-rock movement King Gizzard & The Lizard Wizard return with their seventeenth album L.W. Serving as both a standalone work and a companion piece to 2020 predecessor K.G., L.W. sees the prolific and fearless Melbourne-based inn

King Gizzard & The Lizard Wizard's eighteenth studio album, Butterfly 3000, might be their most fearless leap into the unknown yet; a suite of ten songs that all began life as arpeggiated loops composed on modular synthesizers, before being fashioned into

Cadence Weapon's Parallel World touches on themes of systemic racism, structural inequality, police profiling, gentrification, the internet's pervasive effects on our lives and the surveillance state that disproportionately punishes Black people. Using el

Spencer Krug’s Fading Graffiti is an experiment in two ways. The first is the way in which it reimagines what were once intricate piano ballads — originally posted to the artist’s Patreon page over the course of 2019 — into full-band rock songs. The appro