Numero

Cream vinyl! A truly underground document of the national obsession with heavy, mind-bent psychedelia. Originating in the unassuming suburb of Prairie Village, Kansas, Bulbous Creation seem to have warped directly from the wrong side of the looking glass

2K prepper-rock for the underemployed. Tracked at home in 1999, the 1975 EP expands on Stratosphere's slacker-positive dreamscape, with layers of guitars both clean and fuzzy, humming organ, and – gasp! – a drum machine. Needle down, candles on.

Chicago’s tangled web of micro labels and small time players is no better illustrated than by the career of Otis Brown. In his ten years on the scene, Brown ran four imprints, warmed stages for Muddy Waters, Jimmy Reed, and Alvin Cash, greased the palms o

Coloured vinyl! For the lowriders, the souleros, and for any armchair drag racer who still has a record player within reach, South Side Story pays tribute to the aftermarket sounds of soul music, inspired by the record industry’s metric trunkload of cruis

The third installment of Numero's ode to lowrider souldies, Rust Side Story compiles highly sought after sweet soul singles from the Buck Eye State. Prepare for a low and slow ride from Youngstown to Dayton, Cleveland to Columbus, Toledo to Cincinnati, al

As escapism from corporate banality turned the corner in the '90s, a new generation of vibrant, software generated soundscapes emerged. Communal access to the internet propagated the new hive mind of ideas online, giving way to smoother, stress-free textu

From his studio in central Bobo-Dioulasso, West African photographer Sory Sanlé documented a nation's transformation from colonial foothold to cosmopolitan oasis. Captured on on 6x6 medium format Rolleiflex SL66, Sanlé’s keen eye provides an intimate look

Synth chutes, synth ladders, popcorn 808 beats, dirge-y chants and busted sub-woofer hums from inner-galactic soul pioneers Nathaniel Woolridge and Anthony Freeman intertwine to create this hypnotic, mythical 1984 LP from Newark, New Jersey. The most dama

Aseamless mix of the organic and inorganic, the recent past and distant future, and the possible and impossible, Japanese multi-media artist Masumi Hara’s sophomore album arrived like a fish on the moon in 1984. An album filled with contradiction and purp

A lounge in the Poconos located just inside a Holiday Inn, 1973. The smoky haze clears to reveal a middle-aged couple on a one-foot high stage, prattling on about the weather or Watergate before launching into a serviceable cover of Burt Bacharach's "Do Y