Kranky

This is the first time this monumental album has been available on the vinyl format in five years. "Their relentless commitment to subtlety sets them apart, as does their masterful hand with tone... dissonance is doled out in small portions, perfectly co

Canadian composer Scott Morgan’s 12th long-player as loscil takes its title from an influential series of early 20th century photographs by Alfred Stieglitz, abstracting clouds into miasmic, painterly canvases of smoke and shadowplay. It’s a deeply fittin

This is the first reissue of Tim Hecker’s classic 2003 debut full length release. The original recordings were remixed by Tim Hecker and mastered by Matt Colton at Alchemy Mastering. “Haunt Me is alien, amorphous and occasionally noisy, but always welcomi

"The first vinyl release in the U.S. for this, the fifth SotL album, originally released by Sub Rosa in 1999 and then reissued by Kranky in the fall of 2002. A pivotal album in their career, this marked the first time the duo completely stepped away from

"Anoyo ('the world over there') draws from the same sessions which led to the 2018 work Konoyo but rendered starker, solemn, and stripped back, with more of a naturalist tint. Tim Hecker's processing here moves in veiled ways, soft refractions and whisper

Northern California producer Fred Welton Warmsley III's solo work as Dedekind Cut has evolved from fractured industrial design into increasingly subdued and sublime ambient meditations across two years of dedicated activity. His second full-length collect

Scott Morgan’s second Loscil full-length, Submers, took inspiration from salvaged Time Life classical music albums and “the indelible mystery of submarines and the deep sea.” Composed using a custom-built Max / MSP sequencer—with no external samplers, syn

Brooklyn trio Forma’s latest album continues their mission to “broaden the idea of what an electronic music ensemble can sound like.” Semblance emerged from exploratory sessions at The Schoolhouse, the Bushwick loft where members Mark Dwinell and John Als

"A Winged Victory for the Sullen is the first installment of the new collaboration between Stars of the Lid member Adam Wiltzie and composer Dustin O'Halloran. The duo agreed to leave their normal home studio comfort zone and develop the recordings with

This is the first time this monumental album has been available on the vinyl format in five years. "I simply feel that they are making the most important music of the 21st century." - Ivo Watts-Russell (4AD label founder) // "Crushingly sad, lightly melan

Vinyl reissue of band’s second full length, originally on Sedimental in 1996 • Has been out of print for over 20 years • Original album mix remastered by Pieter De Wagter. The release of Music For Nitrous Oxide, the 1995 debut by Stars Of The Lid, herald

Jacob Long’s reductionist rhythmic ambient vessel, Earthen Sea, ebbs towards a more purely elemental state on his second excursion for Kranky, Grass And Trees. He describes the creative process as one of “simplifying things as much as possible,” designing

"After releasing a first glimpse in the form of the Atomos VII EP earlier this year (2014), A Winged Victory For The Sullen reveal their second full-length album entitled Atomos which sees the duo introduce flurries of electronics, harp and modular synthe

"An Imaginary Country" continues from the trajectory of Montrealer TIM HECKER's last album, the critically acclaimed "Harmony In Ultraviolet", while also showing a few new tricks. Tim has incorporated more pulses into this work and also works with a soun

Kranky Grouper: AIA: Alien Observer LP

“This sound / synapse transposition is as haunting as it is beautiful—surely Grouper’s best.”—Tiny Mix Tapes “If past Grouper releases have inhabited abyssal trenches and damp backwoods, here Harris takes us journeying across constellations and stars. Two

This is the first reissue for Tim Hecker’s classic 2001 album. The original recordings were remixed by Tim Hecker and mastered by Matt Colton at Alchemy Mastering. “Hecker at his most painterly and evocative.” —Pitchfork // “Radio Amor has a simultaneous

Not long after recording her tenth album Ruins, Liz Harris traveled to Wyoming to work on art and record music. She found herself drawn towards the pairing of skeletal piano phrasing with spare, rich bursts of vocal harmony. A series of stark songs emerge