Great Tracks

This album was selected as the best album by “ADLIB” and “JAZZLIFE” magazines in 1982. It is a masterpiece that remains in the history of Japanese fusion. Cutting by Bernie Grundman.

The theme of this exceptional album is the beautiful South Pacific sea, with music written by Haruomi Hosono, Shigeru Suzuki and Tatsuro Yamashita. At this time Haruomi Hosono was just in the middle of preparing for YMO, and the three songs he was in char

WHAT, ME WORRY? is Yukihiro’s fourth solo album originally released in 1982 on the YEN Label launched with Haruomi Hosono and Alfa Records. In addition to Japanese musicians Haruomi Hosono, Ryuichi Sakamoto, Kenji Omura and Hiroshi Sato, additional album

A memorable first album released in 1979 with guest players, The Brecker Brothers and David Sanborn. Contains 8 songs including “Time Limit” and “Tears of the Star”. A classic Jazz record.

Some of Yellow Magic Orchestra’s most forward-thinking music can be heard on Technodelic, released in 1981 only a few months after their masterwork BGM. Hosono, Sakamoto and Takahashi utilized the custom-made LMD-649 PCM digital sampler to create what is

Solid State Survivor is the second album by Japanese electronic trio Yellow Magic Orchestra. A synthetic cornucopia featuring compelling sounds across their unique electronic palette. Compositions are key here in direct contrast to the sounds of their Ger

After the release of Technodelic in 1981 YMO took a year-long break, with each member pursuing their own interests, including writing and producing for other artists. Their return from hiatus coincided the release of the single ""Kimi Ni Mune Kyun"" in 19

Originally released in March 1981, BGM marked a turn from the previous release with an overall darker and more serious tone that some considered to be a betrayal against their original fans. Years have been kind to BGM, however, and Hosono, Sakamoto, and

Ryuichi Sakamoto's seventh solo album, "Neo Geo," co-produced with Bill Laswell for global release, showcases a fusion of top musicians across various genres, including Sly Dunbar and Bootsy Collins. Infused with electronic tones intertwined with organic

Neuromantic is Takahashi’s first solo release for ALFA and his third solo album overall. In addition to Japanese musicians Haruomi Hosono, Ryuichi Sakamoto, and Kenji Omura, the album also features Phil Manzanera, Andy Mackay (Roxy Music), and Tony Mansfi

Originally recorded in 1983, Tomorrow’s Just Another Day is Yukihiro’s fifth solo album and second release for the YEN label. The album features Bill Nelson and Pierre Barouh. All songs were recorded in Japan and half of the tracks were sung in Japanese.

Enjoy the soulful melodies of Isao Suzuki, Art Blakey's esteemed bassist, as he, along with his fellow musicians Kunihiko Kanno and George Otsuka, brings his distinctive musical vision to life on this captivating album.

At the center of Tokyo’s Techno Pop scene was ALFA/YEN Records. The label left behind an impressive body of work, but much of it wasn't made widely available... until now! This new, definitive compilation focuses on the music archives of the YEN Records c

The great Ryuichi Sakamoto with an all-star line-up (Yukihiro Takahashi, Ray Ohara, Kenji Ohmura, Pecker, Akiko Yano, Shigeru Suzuki, Masaki Matsubara…), with a glimpse of Dub-mixing techniques for an exceptional album originally released in 1979 on CBS /

Happy End’s first album, the timeless masterpiece “Happy End” released on colored vinyl (clear red) for the first time! Latest 2023 cutting from the original master. Pressed at Sony’s Shizuoka factory.

Originally released in 1980, Public Pressure is Yellow Magic Orchestra’s third release and their first live album. Upon its original release in Japan, the album reached number one on the Oricon charts and sold a record 250,000 copies within two weeks of r

The first official studio album by Yellow Magic Orchestra. Pioneers of the synth-pop genre, YMO helped inspire the future of hip hop, techno and electro music. The album broke conventions from their sampling of video game sounds to the use of a music sequ

Released in 1980 while Yellow Magic Orchestra was enjoying its first wave of mega-success, B-2 Unit was Ryuichi Sakmoto’s second full length solo effort. Contrasting with the pop-oriented works Sakamoto was doing with YMO at the time, B-2 Unit was produce

Green vinyl! Originally released in 1983 and never reissued on vinyl until now. With music by legends Akira Inoue, Hiroshi Sato and Masataka Matsutoya (performing under the name Seaside Lovers), the album weaves a tapestry of island beats and rhythms that