4AD

Less than 18 months after the release of their debut album New Long Leg, Dry Cleaning return with their sophomore album entitled Stumpwork. 2021 established the band as one of the biggest breakthrough indie acts of recent years. This is reflected in the a

This album epitomises everyhing that is The Pixies. Every aspect of this album is close to perfection. Produced by Steve Albini, it captures the raw essence of The Pixies in full flight. Black Francis' primal wail is complimented by the sheer brilliance o

An artist of rare caliber, Aldous Harding does more than sing; she conjures a singular intensity. Her body and face a weapon of theatre, Harding dances with steeled fervor, baring her teeth like a Bunraku puppet's gnashing grin. Her debut release with 4AD

The first official release (1987) in the short lived career of the Pixies, this 8-track EP grew out of an 18-track demo tape (christened the Purple Tape). Come On Pilgrim is merely an introduction to the style that the Pixies crafted over the next six yea

Classic Objects is a map of places; past places, like the old empty Melbourne pubs Jenny Hval's band used to play in, public places the Norwegian musician missed throughout lockdown, imagined, future places, and impossible places where dreams, hallucinati

Dragon New Warm Mountain I Believe in You is a sprawling double-LP exploring the deepest elements and possibilities of Big Thief. To truly dig into all that the music of Adrianne Lenker, Max Oleartchik, Buck Meek, and James Krivchenia desired in 2020, the

St Vincent, the nom-de-stage of Annie Clark, releases her second album for 4AD, Strange Mercy. The record’s 11 tracks showcase Clark’s gift for fusing the cerebral and the visceral, her melodically elegant arrangements packing hefty emotional punches. Cla

Aldous Harding returns with her second album, Party, produced with the award-winning John Parish (PJ Harvey, Sparklehorse) in Bristol, a world away from her New Zealand home. As well as contributions from Parish, Perfume Genius's Mike Hadreas lends vocals

Twenty years on from the release of their 2001 self-titled debut album, The National are reissuing it along with 2003's follow-up Sad Songs For Dirty Lovers and 2004's Cherry Tree EP. With all three records having been remastered at Abbey Road Studios, th

As Long As You Are looks to the past as well as the future, confronting old ghosts and embracing a new hope. It is an album about trust, full of honesty, redemption and "letting go", allowing old wounds to heal and bringing painful chapters to a close. As

Big Thief had only just finished work on their 3rd album, U.F.O.F. – "the celestial twin" – days before in a cabin studio in the woods of Washington State. Now it was time to birth U.F.O.F.'s sister album – "the earth twin" – Two Hands. 30 miles west of E

Bing & Ruth, the ever-evolving project helmed by New York composer David Moore, returns on 4AD with the new 7-track, 49-minute record Species. While on a surface level, Species is an exploration of the sonic possibilities of the Farfisa organ, aided only

U.F.O.F. is the highly anticipated third record by Big Thief and their first on 4AD. U.F.O.F. was recorded in rural western Washington at Bear Creek Studios. In a large cabin-like room, the band set up their gear to track live with engineer Dom Monks and

National: High Violet LP

The National's elegant seventh full-length album Sleep Well Beast follows-up 2013's Trouble Will Find Me and their 2015 Ragnar Kjartansson collaboration A Lot Of Sorrow. Produced by band member Aaron Dessner with co-production by Bryce Dessner and Matt Be

In September 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National's nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmma