Unwound: A Single History: 1991-2001 (2LP-white) LP

Unwound's third album in as many years, 1995's The Future of What is an unrelenting, constructivist masterstroke. The Olympia, WA trio's signature sound – grinding bass, syncopated drums, and fragmented guitar over measured yelps – ratchets past the threa

Meeting at the halfway point between Bleach and Damaged, Unwound's 1995 self-titled album arrived years after the original trio of Vern Rumsey, Justin Trosper, and Brandt Sandeno made their Avast Studios debut. Compiling their EPs for Kill Rock Stars and

Dead-eyed post-punk from Olympia’s reigning noise-niks. Repetition rejects the major label signing spree of the mid-’90s entirely, training its hulking focus on haircut hardcore, white belt Jiujitsu, and frenzied feedback. The soundtrack to a fantasy Hall

Their third album in as many years, 1995’s The Future of What is an unrelenting, constructivist masterstroke. The Olympia trio’s signature sound— grinding bass, syncopated drums, and fragmented guitar over measured yelps— ratchets past the thread into a s

Meeting at the halfway point between Bleach and Damaged, Unwound’s 1995 self-titled album arrived years after the original trio of Vern Rumsey, Justin Trosper, and Brandt Sandeno made their Avast Studios debut. Compiling their EPs for Kill Rock Stars and

Unwound's paranoid and pulsating sixth album, "Challenge For a Civilized Society" explores the pre-Y2K technological dread of modern punk living. Producer Steve Fisk threads Justin Trosper's stabbing, discordant guitar in and around Sara Lund's consolidat

The Unwound album that ended all Unwound albums. Recorded in a moldering farmhouse basement at the crest of the new century, Leaves Turn Inside You is the no-wave response to Spector's wall of noise call. Infinite layers of choppy guitar stabs and bridge

An album Maximum Rock 'N' Roll deemed not punk enough to review, Unwound’s 1994 sophomore effort was a lethal depth charge aimed at major label grunge and independent hardcore alike. From the off-kilter, vertiginous rhythm of “Entirely Different Matters”

An album Maximum Rock 'N' Roll deemed not punk enough to review, Unwound’s 1994 sophomore effort was a lethal depth charge aimed at major label grunge and independent hardcore alike. From the off-kilter, vertiginous rhythm of “Entirely Different Matters”