Pure Pleasure

Morgan was one of the most active artists in the Los Angeles underground jazz scene, and a member of the late great Horace Tapscott‘s artist collective Union of God’s Musicians and Artists Ascension (UGMAA). He performed alongside Tapscott, and other Nimb

"For a label that wasn't around long, Strata East achieved the same sort of label recognition that Impulse! or Blue Note managed to build. In other words, you knew what you were getting when you bought a record on the label, even if you didn't know the na

At the time of release Ebony reviewer Phyl Garland said "One needn’t be a “piano freak” to appreciate a truly new recording. First of all imagine seven gifted and talented pianists sitting down to seven grand pianos and proceeding to tear up these instrum

Don’t let the date fool you, released back in 1983 this modal to slightly free jazz outfit from California takes you on a journey back to the late 60s and very early 70s, into the spiritual realms of greats like John Coltrane, Pharoah Sanders, John McLaug

Fifth part of the Strata-East Dolphy Series, Glass Bead Games is arguably the crown jewel of the Strata East movement, an amorphous genre that treads an unusual path between post-bop, 70’s avant-garde and spiritual jazz, with a groove. Glass Bead Games is

Originally recorded and released on the Strata East label in 1974 in the wake of his recovery from a heart attack, the appropriately titled Don't Hold Back finds Harold Vick reinvigorated and wearing many hats including producer, writer and multi-instrume

After two visionary LPs for his own tiny Nodlew label, Weldon Irvine signed to RCA for "Cosmic Vortex (Justice Divine)", exploring the deeply spiritual and political terrain of his previous efforts on the kind of grand musical scale that major-label fundi