Parlophone

Blur celebrate the 10th anniversary of The Magic Whip with a special edition vinyl release, featuring new cover artwork by original designer Tony Hung. A reimagining of the iconic ice cream cover with added gold foil and embossed details, the new format i

The 1LP version of Rock ‘n’ Roll Star! compiling the alternative takes and mixes from the recording of his classic album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Unreleased highlights include an alternative version of "Lady Stardust

Modern Life Is Rubbish is Blur’s second album and is regarded as one of the defining releases of the Britpop era. The album features the singles "For Tomorrow", "Sunday Sunday" and "Chemical World". The album turned 30 this year and to celebrate this occa

Britpop legends Blur are back with their first new album in over eight years entitled The Ballad of Darren! Produced by James Ford (Arctic Monkeys, Foals, Depeche Mode) and recorded at Studio 13, London and Devon, The Ballad of Darren is the band's ninth

Originally released in 1973, Aladdin Sane came right at the height of David Bowie's new superstar status and followed up the breakthrough Ziggy Stardust. It's also the final album on which the Spiders' classic lineup of Mick Ronson (guitar, piano, backing

January 1977 saw the release of the first installment of what came to be known as David Bowie's Berlin trilogy. That album was the Bowie/Tony Visconti produced Low and it was followed later the same year by Heroes with the trilogy completed in 1979 by the

Asked to write and perform the music for the BBC2 mini series The Buddha of Suburbia, although classified as a soundtrack, only the title track on the 1983 album was featured in the program itself. The television adaptation of 1990 book, written by Hanif

Toy was recorded following David Bowie's triumphant Glastonbury 2000 performance. Bowie entered the studio with his band, Mark Plati, Sterling Campbell, Gail Ann Dorsey, Earl Slick, Mike Garson, Holly Palmer and Emm Gryner, to record new interpretations o

1996 was an extraordinarily active year even by David Bowie's own feverish standards, switching styles and moods effortlessly, embarking on a confrontational tour around the US with Nine Inch Nails and performing acoustically with Neil Young and Pearl Jam

The TOY EP You’ve Got It Made With All The Toys) features the previously unheard “Shadow Man (Vocal and Piano Mix)”, an alternative, stripped-back mix of the TOY album track, along with the unreleased live versions of “I Dig Everything” and “The London Bo

This compilation showcases Kraftwerk's immense influence on club & DJ culture, techno and all forms of electronic dance music. Featuring 19 official remixes, it collates Kraftwerk's own remixes alongside contributions from some of the world's biggest DJ's

The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums.
Kraftwerk created the soundtrack for t

Red & blue vinyl edition! "Among electronic artists (as well as virtually the entire record industry), only Kraftwerk could construct a viable album by making only minimal adjustments to a sound they made definitive more than 30 years earlier. Tour de Fra

White vinyl edition! "By the early '90s, it was quite apparent just how far-reaching Kraftwerk's influence had been. From techno to hip-hop to industrial music to house, numerous others were undeniably indebted to the group. Dance clubs had long been a ke

Yellow vinyl edition! "A concept album exploring themes of broadcast communications, Radio-Activity marked Kraftwerk's return to more obtuse territory, extensively utilizing static, oscillators, and even Cage-like moments of silence to approximate the sen

Red vinyl edition! "The Man-Machine is closer to the sound and style that would define early new wave electro-pop -- less minimalistic in its arrangements and more complex and danceable in its underlying rhythms. Like its predecessor, Trans-Europe Express

David Bowie's first album of the 1970s, the Tony Visconti-produced The Man Who Sold the World represents the beginning of the landmark artist's classic period. Mick Ronson's guitars occupy hard-rock and psychedelic domains, and Bowie pursues a sound that'