Nakid

New pressing of one of last year’s finest, most sought-after albums, KAKUHAN’s Japanese futureshock ‘Metal Zone’, marrying algorithmic rhythm spasms and electric cello with results that sound like the square root of Photek, Arthur Russell, Beatrice Dillon

A bit of a dream come true; Keith Fullerton Whitman effectively does dub jazz concrète on a deeply rewarding longform session placing him somewhere in the vicinity of Porter Ricks, Laurie Spiegel, early Vladislav Delay x Jim O’Rourke in vaporous mode. The

Perhaps the tightest band in existence right now return with an astonishing new album - their first in 8 years - we ain’t talking about the Swedish psych troupe, nor the Greek metal act; but the infinitely superior Japanese goat (jp) who take the micro-pr

Keith Fullerton Whitman brings his 3-part Generators series for Japan’s NAKID label to a close with a third and final instalment that ravishes the senses with hybrid analogue/digital systems tekkerz.

Hazing into a solemn start of floating organ and slu