Nakid

New pressing of one of last year’s finest, most sought-after albums, KAKUHAN’s Japanese futureshock ‘Metal Zone’, marrying algorithmic rhythm spasms and electric cello with results that sound like the square root of Photek, Arthur Russell, Beatrice Dillon

Keith Fullerton Whitman brings his 3-part Generators series for Japan’s NAKID label to a close with a third and final instalment that ravishes the senses with hybrid analogue/digital systems tekkerz.

Hazing into a solemn start of floating organ and slu

Perhaps the tightest band in existence right now return with an astonishing new album - their first in 8 years - we ain’t talking about the Swedish psych troupe, nor the Greek metal act; but the infinitely superior Japanese goat (jp) who take the micro-pr

A bit of a dream come true; Keith Fullerton Whitman effectively does dub jazz concrète on a deeply rewarding longform session placing him somewhere in the vicinity of Porter Ricks, Laurie Spiegel, early Vladislav Delay x Jim O’Rourke in vaporous mode. The