Flemish Eye

Cultivating a singularly unique voice in the world of songwriting and composition is a difficult prospect for all but the most naturally gifted of artists, and Calgary-based songwriter Chad VanGaalen certainly belongs in that category. Infiniheart, an epi

On their debut self-titled album, Women embraced sonic brashness that deeper examination revealed to be tinted with sly pop melody. With "Public Strain" the band honed a sound truthful to that reverb drenched noise while allowing the pop sensibilities to

N0V3L's debut full-length, Non-Fiction, comprises 11 tracks that function as a treatise on modern existence and the perverse parameters within which it's experienced. It's a collection of agile, carefully-constructed post-punk, new wave, funk, and garage

Elastic artist Yves Jarvis has announced his new album 'The Zug'. Like the many works under Jarvis' belt, 'The Zug' is an entirely self-produced venture. From instrumentation to engineering to artwork, the autodidact has forged a bastion for vanguard expl

2020 was a terrible year for gardening. It was terrible for peppers, it was terrible for tomatoes, it was terrible for the condition of the soul. But Chad VanGaalen somehow raised a garden all the same: carrots and sprouts and broccoli and a revivifying n

The Besnard Lakes have passed through death and they're here to tell the tale. Nearly five years after their last lightning-tinted volley, the magisterial Montreal psych-rock band has sworn off compromise, split with their long-standing label, and complet

Ten years ago, Flemish Eye released ‘Public Strain’, the second album by Women. Just over a month after the album's release, the short-lived band was finished; however, the reverberations of ‘Public Strain’ were widespread. It became regarded as a modern-

Every so often, Chad VanGaalen emerges from his bunker in Calgary with a batch of songs, giving us a window into the private world of this reclusive and enigmatic songwriter. With Diaper Island, VanGaalen distills his approach, producing his most sonicall

Preoccupations’ songs have always worked through themes of creation, destruction, and futility, and they’ve always done it with singular post-punk grit. The textures are evocative and razor-sharp. The wire is always a live one. But while that darker side