Ecstatic

Futuro is Not Waving's sublime synth/ambient soundtrack to one of the world's most intense art/theatre experiences: Sean Rogg's radical immersive artwork The Waldorf Project -- fusing choreography, spatial design, music, and performance into a cohesive ex

Visionary synthesist Abul Mogard renders a darkly sublime soundtrack for Duncan Whitley's Kimberlin, an experimental film about the Isle of Portland on the English south coast, which coincidentally doubles up as metaphor for the mood of an increasingly in

Above All Dreams is Abul Mogard's beautifully absorbing new album for Ecstatic -- his first since the Circular Form and his popular Works compilation. Counting six original pieces in its 66-minute wingspan, there's no mistaking that Above All Dreams is th

Primitive World mines obscure and vibrant paths on this strong new LP for Ecstatic, inspired once again by the forgotten sci-fi novels of Lawrence Durrell and finding a curious lane somewhere between Alva Noto and cubist UK funky rhythms. Throwing himself

Transdisciplinary NYC artist Gavilán Rayna Russom beautifully comes into her own with a distinguished solo debut album statement including the voice of Cosey Fanni Tutti and brass arrangements by downtown legend Peter Zummo. After decades exploring her so

Iona Fortune crystallizes and convects enchanting thoughts on the legendary I Ching in a keenly awaited second volume of Tao of I, following from her resoundingly acclaimed 2017 debut for Optimo Music (OM 010LP), where lustrous synthetic subbass met tradi

Jay Glass Dubs sublimates Athenian distress and ennui into plasmic dub ether on Plegnic, his lushly evolved first collection of new material for Ecstatic, following from on from Dubs. Where Dubs was a set of his earliest, hard-to-find tape releases, decon