Ecstatic

Pye Corner Audio morphs into Head Technician mode for the project's brooding second sojourn with Ecstatic. Taking inspiration from his fascination with Brutalist construction, Martin Jenkins exclusively uses Roland TR-606, MC-202, and TB-303 boxes plus th

Ecstatic offer a deeply arresting and definitive collection of Works by erstwhile Serbian factory worker-turned-synthesist Abul Mogard; containing selections from two cassettes released in 2012 and 2013 on Steve Moore and Anthony Paterra's VCO Recordings,

Above All Dreams is Abul Mogard's beautifully absorbing new album for Ecstatic -- his first since the Circular Form and his popular Works compilation. Counting six original pieces in its 66-minute wingspan, there's no mistaking that Above All Dreams is th

Iona Fortune crystallizes and convects enchanting thoughts on the legendary I Ching in a keenly awaited second volume of Tao of I, following from her resoundingly acclaimed 2017 debut for Optimo Music (OM 010LP), where lustrous synthetic subbass met tradi

Following Not Waving's stellar recent recordings with Jim O'Rourke, Colin Potter, and Jay Glass Dubs, Downwelling finds him in a striking Pas de deux with alt. rock god Mark Lanegan (Screaming Trees, QOTSA). It's one of those rare link-ups that truly tran

Futuro is Not Waving's sublime synth/ambient soundtrack to one of the world's most intense art/theatre experiences: Sean Rogg's radical immersive artwork The Waldorf Project -- fusing choreography, spatial design, music, and performance into a cohesive ex

Jay Glass Dubs sublimates Athenian distress and ennui into plasmic dub ether on Plegnic, his lushly evolved first collection of new material for Ecstatic, following from on from Dubs. Where Dubs was a set of his earliest, hard-to-find tape releases, decon

Visionary synthesist Abul Mogard renders a darkly sublime soundtrack for Duncan Whitley's Kimberlin, an experimental film about the Isle of Portland on the English south coast, which coincidentally doubles up as metaphor for the mood of an increasingly in

Not Glass is the debut collaboration between Alessio Natalizia (Not Waving) and his longtime correspondent Dimitris Papadatos (Jay Glass Dubs), paying tribute to Latin and Greek authors Ovid and Heraclitus in a suite of dramatic electronics and cryptic rh

Ecstatic presents a reissue of The Cop Killers' self-titled album, originally issued in 1982. A genuine holy grail of Italian post-industrial music, The Cop Killers' sole, eponymous tape is remastered and issued on vinyl for the first time via Alessio Nat

Abul Mogard presents his debut LP, a suite of four analog synth pieces. Mogard was born in Belgrade, Serbia, and spent most of his life working in a metal factory, only beginning to approach music after his retirement. Following two highly regarded casset

White On White is an absorbingly dynamic, multi-layered album of improvisations made on the seminal PPG Wave synth, inspired by the work, life, and theories of the great, if forgotten, British constructivist artist Marlow Moss (1889-1958): a radical, gend

Juan Mendez, aka Silent Servant, finds his ideal EBM vocal foil in Ori Ofir under their Sterile Hand moniker. The duo's first vinyl round for Not Waving's Ecstatic label is a dark and sleazy run of deviant industrial techno and pugilistic EBM cuts made ov