Nippon Columbia

This album is incredible, truly well-named — funky stuff, indeed. Fat bass, good variety of guitar sounds, nice horns and organ, crisp drums … it is an instant favorite! A masterpiece of jazz rock by masterpiece Jiro Inagaki! Beyond jazz rock. The soul me

Percussionist Pecker arrived in Jamaica in 1980 to reissue the original Japanese DUB work he created with The Wailers and Sly & Robbie.

Pecker Power, Japan's inaugural dub album, was produced in 1980 by Pecker, a percussionist renowned for establishing

Hiromasa Suzuki is a composer/arranger/key player who has been active in the Japanese music world, including jazz as well as movies, television and commercials. In the late ‘60s and mid-’70s, he was deeply involved in the works of Terumasa Hino, Akira Ish

The drums of fire scorch the age. With his young and talented Sound Limited, Takeshi Inomata heralds the arrival of the golden age of jazz rock in high spirits. Drummer Takeshi Inomata, who led the Japanese jazz scene with his precise stick work and music

The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan. Japan's jazz scene around 1970 is very interesting. The agony of hard bop, the rise of jazz-ro

The Japanese jazz and big band masterpiece, Niou to Hato, is now available on clear green color vinyl! Experience the captivating dance of Nio and pigeons. Immerse yourself in a mysterious melody that flows within a robust groove, exploring the boundless

This is a valuable live recording of the dawn of Japanese jazz-rock. It is a live recording of the concert <Midsummer Night’s Jazz & Rock> held on July 21, 1970 at Hibiya’s open-air concert hall. It was recorded at about the same time as the masterpiece “

Soul Media is led by Jiro Inagaki, who played a part in the development of jazz rock in Japan. This album “Memory Lane” was recorded in 1980.

Regarding this work, Inagaki said, “We made this work while anticipating the fate of fusion music.”

This al

Kifu Mitsuhashi studied with Soufu Sasaki of the Kinko-style shakuhachi in 1968. He became a member of Pro Musica Nipponia and participated in many concerts both in Japan and overseas after completing the NHK Hougaku Training Program in 1972. Mitsuhashi s

First released in 1976, “Shakuhachi Mountain Poetry” is one of a two part album collaboration between Shakuhachi master, Kifu Mitsuhashi and jazz musician, Kiyoshi Yamaya. Together, the two artists blended their individual musical disciplines to compose a

A heavy funk party from the Japanese jazz scene of the 70s – and a set that hits a lot harder than some of the smoother fusion of the time! There’s a grit here that hearkens back to some of the best American jazz funk at the start of the decade – a nice e

Japan’s leading big band, Sharps & Flats, created a unique work featuring 22-year-old up-and-coming pianist, Takehiko Honda. The sound of an electric piano rolling comfortably over the powerful big band sound is absolutely incredible! In addition this rec

Kyouko Furuya began her career as a piano student in Tokyo’s Kunitachi College of Music. Debuting in a duo dubbed Virgo with future actress Yumi Mizusawa, they quietly became a popular thing in the acoustic Tokyo folk scene. With time, though, Kyouko Furu

Folk singer-turned-rock singer Carmen Maki collaborated with Blues Creation on this album (’71).

Immediately after the release of her masterpiece “The Devil and the Eleven Children”, Carmen Maki’s youthful voice, which was influenced by Janis Joplin, f

Kiyoshi Yamaya’s first work in the “Japanese melody by PCM recording” series

Side A incorporates Biwa and Shakuhachi and Japanese drums under the theme of the shrine maiden’s mouth-to-mouth that is handed down to Osorezan on the Shimokita Peninsula. A