Goofin'

Daydream Nation was Sonic Youth’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen.



Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved tha

“Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band’s story, Sonic Youth’s The Walls Have Ears appeared / disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentatio

The seventh in the series of Sonic Youth's SYR documents unearths even more fruit from the fields of Sonic improvisational/compositional love. On the heels of a lengthy investigation into their relationship to 20th Century classical music, the band took a

"Donald Duck, kill Minnie!" These words, ordered with urgency against a circular series of drum strikes and manipulated guitar/electronic textures, come over three fourths of the way through the album known as SYR 5 (aka "Olive's Horn"). While the words a

Originally released in November 1999, Sonic Youth wrapped up the millennium with an adventurous double album of performances of works by some of the 20th century's greatest composers. The fourth release on the SYR label was not designated to new material

FINALLY BACK IN PRINT - The third SYR release documents Sonic Youth's first collaboration with Jim O'Rourke. This sharp Esparanto-addled 'Muzikaj Perspektivoj'-series edition contains 3 new songs, and 50+ minutes of music.

Released in May 1986 on SST Records and Blast First! in the UK, EVOL was the third studio album by Sonic Youth and showed the first signs of the band transforming their No Wave past into a greater alt-rock sensibility.



“EVOL … mark[s] the true dep

Sonic Youth’s second full-length LP Bad Moon Rising was originally released on Homestead and Blast First in 1985. The album is a fascinating examination of “the junction where hippie idealism [meets] the cold hard world,” says guitarist Lee Ranaldo, “wher

BACK IN PRINT ON VINYL! While 1995's Washing Machine LP moniker was a thinly-veiled jab at the corporate aesthetic ("no, you cannot turn Sonic Youth into a household appliance brand", the band even considered changing its name to Washing Machine but sett

“Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band’s story, Sonic Youth’s The Walls Have Ears appeared / disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentatio

Unfettered by studio time limitations with their own home base of Echo Canyon, SYR 2 shows Sonic Youth chasing the shadows of predecessor SYR 1 and the series' distinct aesthetic: total exploration of freedom and further discovery. While the cover art evo

“Let’s get something straight. There is no album in the entire corpus of indie rock—not Loveless, not Surfer Rosa, not Psychocandy—that reaches the heights of invention, joy, and magic of Sonic Youth’s sublime fifth album.... The haunted reveries of Sist

With all the guitar chiming and buzzing you crave, propelled in more disharmony than a holiday meal with your family, Sonic Youth continued an evolution that simultaneously moved forward as well as back in time on their 1998 album A Thousand Leaves. Named

Sonic Youth’s eponymous debut 12-inch was recorded in late 1981 at Radio City Music Hall in NYC and originally released on composer Glenn Branca’s Neutral label. The album is loosely based on compositions the newly formed group had performed at that year’

Originally slated to be a seven-inch single to follow up their self-titled debut, Sonic Youth ’s Confusion Is Sex blossomed into the band’s first album: a brain-bludgeoning, completely fried endeavor of dissonance and disarray, a perfect soundtrack for r

Daydream Nation was Sonic Youth’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie b

“Let’s get something straight. There is no album in the entire corpus of indie rock—not Loveless, not Surfer Rosa, not Psychocandy—that reaches the heights of invention, joy, and magic of Sonic Youth’s sublime fifth album.... The haunted reveries of Siste

The third studio album by Sonic Youth, originally released in May 1986 on SST Records, shows the first signs that the band was ready to transform their no wave past into a greater alternative rock sensibility. “EVOL … mark[s] the true departure point of