Cassauna

Francesco Gennari is trained as a classical pianist and he commits himself to sound exploration through modular synth practice as further evolution of his musical journey. Gennari's origins are with black-and-white keys, noise-punk bands, and DIY instrume

On Fluorescent Standard, guitarist Anthony Vine and clarinetist Gareth Davis present two luminous and serene worlds of harmonic sound. The duo entwine sustained tones, glowing with the resonant hues of their instruments, into enveloping and expansive atmo

Tabulatura is a 2008 indeterminate composition for sixteen pre-recorded guitar parts and computer with custom software. It is conceived as a system to generate different acoustic patterns. The Tabulatura 2 documents eight pieces recorded live at Palazzo C

Atsuko Hatano is a contemporary classical viola player who works with electronics to add textures and layers to her sound. Located in Tokyo, Japan, she is a commanding instrumentalist and composer who constructs innovative compositions with strings and la

Hopes & Theory is a collection of songs inspired by wild plants and intentional gardens. At its core this music is rooted in synthesis, autonomy, and purely tuned harmony. At its heart there is chaos, color, and evolution. Hopes & Theory was recorded on t

Mo H. Zareei (mHz) returns to Imprec/Cassauna with Proof Of Identity, an album of pulsating, pattern-based electronic pieces that evolve in ways reminiscent of Steve Reich's early work or Philip Glass's Music In 12 Parts. With Proof Of Identity, Zareei co

It might be easy to assume that the distinctly focused compositional voice unveiled on Rose Bolton's The Lost Clock is the product of its creator's rigorous, almost hermetic dedication to her own particular aesthetic universe. A quick survey of Bolton's a