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Available both as a regular 33rpm LP or as an audiophile double 45rpm (see below). "Arguably the most quietly influential of all his works," according to the BBC, this conceptual 1976 Brian Eno record was intended as a soundtrack for imaginary films, with excerpts later featuring in movies by directors including John Woo and Derek Jarman. The album is a loose compilation of material, composed of short tracks ranging from one-and-a-half minutes to just over four, making it the antithesis of the long, ambient pieces he later became known for. The compositional styles and equipment used also carried over onto Eno's work on David Bowie's 1977 classic Low. Unlike Eno's later ambient works, Music for Films utilizes a broader sonic palette, with his studio exercises being supplemented by instrumentation from Rhett Davies, John Cale, Phil Collins, Robert Fripp, Fred Frith, Percy Jones, Bill MacCormick, Dave Mattacks, Paul Rudolph and Rod Melvin.
This record was cut using a specialist technique known as half-speed mastering. This artisan process results in cuts that have superior high frequency response (treble) and solid and stable stereo images. In addition, it is presented as a double 45RPM half-speed mastered edition. This is the ultimate for high quality reproduction as the faster the replay speed of the record, the higher the potential quality. Also, the shorter side times allow the level recorded to the master lacquer discs to be increased thereby improving the signal to the noise ratio.